Miradouro Classic Ceramic
Our Miradouro Collection inspired by the Portuguese tile tradition. Imagine yourself at a pretty terrace watching the beautiful views of a Portuguese town.
You can see these beautiful patterns in places as varied restaurants and bars or in a traditional or modern home design. Our Miradouro Ceramic Collection, offers ten gorgeous Portuguese patterns in 6x6 sizes ready to beautify any space.
What is Portuguese Tile?
The Portuguese tiles that we know originally came from Egypt but were first brought to Portugal by Arabs during the 13th-century invasion, where they also helped shape Portuguese culture. Tiles are such a big part of Portuguese history that the two cannot be separated. Portuguese tiles come in many shapes and are made of ceramic. These hand-painted mostly blue and white ceramic tiles have been used to decorate buildings for centuries. When you search for what is called blue and white ceramic tiles, you'll see it is the term coming from azulejos which is Portuguese and Spanish. Our range of Portuguese tiles includes borders, moldings, corners, and decorative tiles in matching colors and sizes.
Find your perfect surface
Browse 24 pieces, compare shapes and details, then order a sample to experience the material at home.
Where you can use it
Compare residential and commercial applications for ceramic surfaces.
Interior
10 applicationsExterior
2 applicationsInterior
9 applicationsExterior
2 applicationsThis guide is a general reference. Always review the individual product specifications before installation.
The History of Delft
In the 17th century, Dutch potters in the city of Delft set out to answer the imported blue-and-white porcelain arriving from China. Working in tin-glazed earthenware, they painted cobalt motifs onto a bright white ground (florals, figures, landscapes, and the small corner ornaments that let tiles join into endless repeating fields across a wall.)
What began as imitation became a tradition of its own, and the hand-painted blue-and-white of Delft spread outward, echoing through Portuguese azulejos, Italian maiolica, and the tiled kitchens and courtyards of the Mediterranean.
Our Delft collection draws on that whole lineage: the brushwork, the corner-motif system, and the idea that a tile can be a small, painted thing made by a person, not a machine.
Why We Love Delft Tile
We keep returning to Delft because it does so much with so little. A single corner motif, repeated, turns a plain wall into a quiet diamond lattice; the same tile used sparingly becomes a discovered detail.
The palette is restrained enough to live with for years yet expressive enough to carry a room, cobalt for the classic note, soft green for something gentler and more unexpected.
Because the motifs sit in the corners, the tiles are built to connect: every piece is part of a system you control. It is decorative without shouting, historic without feeling heavy, and endlessly composable which is exactly why designers reach for it again and again.
Complete the Room: Terracotta Below, Delft Above
There's a reason this pairing keeps appearing in the most quietly beautiful Mediterranean rooms. Warm terracotta underfoot, hand-painted Delft climbing the wall above (earth and brushwork, floor and field, the two oldest gestures in southern European interiors.)
The terracotta tile brings heat and grounding; the Delft brings light and detail. Together they make a room feel as though it was assembled slowly, over years, by someone with an eye.
Start there, then let the rest of the room gather around it.
